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1. Open Letter about Black, Afro-American, White and European Music •••
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  ...Open Letter about 'Black Music', 'Afro-American Music' and 'European Music' by Philip Tagg (1987, 2005) PDF version of this document (A4) PDF...
  ...and sent to certain popular music research colleagues for feedback. It was re-edited on 14 June 1987 and sent to Popular Music (Cambridge University...
  ...article, directed primarily at white European and North American popular music research colleagues. Please note that the Soviet Union still existed in...
72% 20 August 2018 14:01:09 o'clock GMT+00:00 http://tagg.org/articles/opelet.html

2. Tagg’s Music Database •••
Full listing of musicalia documented by Philip Tagg (Professor of Musicology, 1984-2013
  ...100 Spectacular Sound Effects (Disc 1). Madacy Music Group MSB-2-8710-1 (1994). 99 tracks. Track 99 contains also Track 100. [MP3 files on CD] 01...
  ...100 Spectacular Sound Effects (Disc 2). Madacy Music Group MSB-2-8710-2 (1994). 99 tracks. Track 99 contains also Track 100. [MP3 files on CD] 01...
  ...[1844-1908] [m]: Flight of the Bumble Bee (The Tale of Tsar Saltan) - Black & Decker Paint Stripper [1:20] 16 Edvard Grieg [1843-1907] [m]: Morning...
67% 20 August 2018 15:38:19 o'clock GMT+00:00 http://tagg.org/bib/MusDBF/MusDBs.htm

3. Philip Tagg | Popular Music Studies versus the 'Other' (Cascais 1996) •••
Popular Music Studies versus the ’Other’ Paper delivered by Philip Tagg on 14 December 1996 at symposium ’Music and Life-world. Otherness and...
  ...Popular Music Studies versus the ’Other’ Paper delivered by Philip Tagg on 14 December 1996 at symposium ’Music and Life-world. Otherness and...
  ...in the mid sixties, as teacher, researcher or practitioner in the area of music and the mass media. The problematic relationship between these areas of...
  ...list: (1) the popular ‘other’, (2) the lower class ‘other’, (3) the black ‘other’, (4) the ‘third world other’, (5) the female ‘other’, (6) the national...
67% 20 August 2018 13:59:44 o'clock GMT+00:00 http://tagg.org/articles/cascais.html

4. Philip Tagg | Music, moving image, semiotics and the democratic right to know (2000) •••
Paper from 1999 Stockholm conference 'Music and Manipulation'
  ...Music, moving image, semiotics and the democratic right to know Article based on paper delivered at conference ‘Music and Manipulation’, Nalen,...
  ...by Philip Tagg, Institute of Popular Music, University of Liverpool PDF version Home Online Texts Recognition and embarrassment Over...
  ...on Music and the Moving Image has begun with an well-tried commutation trick. I have attempted to focus attention, as tangibly as possible, on music’s...
66% 20 August 2018 14:01:25 o'clock GMT+00:00 http://tagg.org/articles/sth99art.html

5. Philip Tagg | The Göteborg connection - Lessons in the history and politics of popular music education and research (1997) •••
The Göteborg connection Lessons in the history and politics of popular music education and research ©Philip Tagg. Submitted for publication in...
  ...of popular music education and research ©Philip Tagg. Submitted for publication in February 1997, published in Popular Music 17/2: 219-242...
  ...Both this journal (Popular Music) and the International Association for the Study of Popular Music (IASPM) have been in existence for almost a...
  ...of those two institutions in 1981, it is perhaps time for popular music scholars to review their own historical position and to work out strategies for...
66% 20 August 2018 14:00:03 o'clock GMT+00:00 http://tagg.org/articles/gbgcnnct.html

6. Philip Tagg | High and Low, Cool and Uncool, Music and Knowledge (IASPM UK 2000) •••
High and Low, Cool and Uncool, Music and Knowledge. Conceptual falsifications and the study of popular music Keynote speech, IASPM UK conference,...
  ...Music and Knowledge. Conceptual falsifications and the study of popular music Keynote speech, IASPM UK conference, Guildford, July 2000. Philip Tagg...
  ...| Mind v. body | Cool v. uncool | Music as knowledge v. knowledge about music | Where are we now? | Bibliography | Music examples | Appendix (test) |...
  ...been those between classical and popular, high and low, serious and fun, black and white, body and mind (or between body and emotion), between plaisir...
66% 20 August 2018 14:00:18 o'clock GMT+00:00 http://tagg.org/articles/iaspmuk2000.html

7. Philip Tagg | Popular Music Studies - Bridge or barrier? (1998) •••
Popular Music Studies — Bridge or barrier? Paper by Philip Tagg for symposium ‘La musica come ponte fra popoli’, organised by Istituto per...
  ...Popular Music Studies — Bridge or barrier? Paper by Philip Tagg for symposium ‘La musica come ponte fra popoli’, organised by Istituto per l’educazione...
  ...the fact that in both places new and internationally influential styles of music had been created out of a cultural melting pot. I mention his...
  ...way between Milan and Vienna, half way between the focal points of the great music traditions of Central Europe that flourished in the nineteenth...
66% 20 August 2018 14:01:38 o'clock GMT+00:00 http://tagg.org/articles/bolz9811.html

8. Philip Tagg | Analysing popular music: theory, method and practice (1982) •••
Music Theory Terminology as Ideology Keynote presentation at 1st International Congress of Numanities (ICoN), Kaunas (Lithuania), 2014-06-07 by Philip...
  ...Music Theory Terminology as Ideology Keynote presentation at 1st International Congress of Numanities (ICoN), Kaunas (Lithuania), 2014-06-07 by Philip...
  ...no font changes, no figures, no footnotes, no music examples. Home Online Texts Music Theory Terminology as Ideology Kaunas, Thursday...
  ...and ethnocentric assumptions about the structural traits of ‘black’ and ‘white’ in music (Tagg, 1989; 2011c), I stumbled on strange contradictions in...
66% 21 August 2018 16:48:02 o'clock GMT+00:00 http://tagg.org/html/Kaunas1406b.html

9. An Anthropology of Stereotypes in TV Music? (1989) •••
Anthropological, semiotic and musicological approach to analysing music in the modern media
  ...An Anthropology of Stereotypes in TV Music? by Philip Tagg First published in Svensk tidskrift för musikforskning, 1989, pp.19-42. [Swedish...
  ...include musical semantics among the various approaches used to study popular music,1 partly with a view to offsetting the sociological bias of that field...
  ...were, unlike the VVAs of the four female tunes, described either as women in black asking `got a light?' or as vamps, or, quite overtly, as prostitutes,...
66% 20 August 2018 14:01:31 o'clock GMT+00:00 http://tagg.org/articles/tvanthro.html

10. Philip Tagg | Analysing popular music: theory, method and practice (1982) •••
Analysing popular music: theory, method and practice by Philip Tagg Also (first) published in Popular Music, 2 (1982): 37-65 OLD (original)...
  ...Analysing popular music: theory, method and practice by Philip Tagg Also (first) published in Popular Music, 2 (1982): 37-65 OLD (original)...
  ...especially Music’s Meanings (Tagg, 2013), or at least to read the updated version of this article. This version continues to exist solely for...
  ...done more to increase respect, understanding and enthusiasm for the music of black Americans than the NME is ever likely to. This convergence of...
66% 20 August 2018 14:01:12 o'clock GMT+00:00 http://tagg.org/articles/pm2analOrig.html

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